![]() Arturia seems to do an admirable job of capturing the spirit of the CP-70, but it comes close enough to sounding like a real piano, I’d be far more likely to reach for the regular ol' Piano V plugin in most cases. It’s brighter and there’s less room for shaping the sound without adding effects. The result though, is less characterful than those other electric pianos. That was definitely a huge selling point for touring acts in the ‘70s and ‘80s that wanted the sound of a grand piano, but didn’t want to lug one on the road. It also used piezo pickups instead of magnetic ones, resulting in a sound that is significantly closer to an actual acoustic piano. The CP-70 used strings like a real piano, instead of the metal reeds and tines found in Rhodes in Wurlitzers. A very specific one that hasn’t enjoyed the same level of reverence as the Rhodes or Wurlitzer, but isn’t without its merits. ![]() ![]() The other completely new instrument, CP-70 V, is a lot more straightforward. You can even completely disable the sample layers and go woodwind-less, though, you might as well use one of the other plugins at that point. They all have a suite of advanced controls where you can build almost any sound you want from its four layer engine (two samples and two synths). That’s not to say you can’t find a use for them in a pop song or jazz arrangement, but these are all about atmosphere and texture, and there’s a healthy dose of sounds that would only be appropriate in the tensest moments of a cosmic horror film. Like the rest of the Augmented series, Woodwinds, Brass and Grand Piano feel built especially with scoring in mind. (With the exception of a few presets that seem to come undone when faced with MPE input, at least.) You’re never going to convince anyone that the sounds coming out of it are from a flesh-and-blood woodwind ensemble, but the soft cinematic pads and leads you can coax out of it are compelling, especially when paired with an MPE controller like the Push or Seaboard Rise 2. Yet, Arturia pulls it off, largely by leaning into the synth side of things pretty strongly. I think Augmented Strings and Grand Piano are excellent, but have found little use for Brass and Voices so far, and woodwinds often feel like some of the most difficult acoustic instruments to get right in a sample library. More information can be found on the Arturia website.I’ll admit to being somewhat skeptical of Augmented Woodwinds at first. During the same offer period, the company are also offering discounts on a bundle with V Collection 9 for eligible users. Pricing & AvailabilityĪcid V is available now and is being offered for an introductory price of €99 until 14 September 2023, after which it will cost €199. The instrument also features NKS support, allowing for advanced integration with Native Instruments’ series of hardware controllers. It is available in VST, AAX and AU plug-in formats, and there is also a standalone version. CompatibilityĪcid V is supported on PCs running Windows 10 and above and Macs running macOS 10.13 and higher. Lastly, the Effects tab hosts four slots which can be loaded up with any combination of 17 built-in processors, which include the likes of delays, reverbs, unison effects, multi-band compressors and more. A collection of LFO-like shapes are included, but it is also possible to draw in custom shapes - or create variations of the existing ones - for detailed control over parameter modulation. In terms of modulation, Acid V is equipped with three customisable function generators which can be assigned to a range of the instrument’s parameters. Over 350 built-in sequences are provided to offer users some inspiration, and it is also possible to export patterns from the sequencer as MIDI files for use with other instruments. A wealth of sequencing and arpeggiation capabilities are built in, with the grid-based note view and scale-based pattern generation functions joined by a range of adjustable variation parameters. Recognising that many iconic 303 sounds have been created by coupling the instrument with distortion processors, Arturia have also included a built-in Drive section, which offers 14 different algorithms designed to provide an extensive range of saturated sounds.Īn Advanced panel presents users with a huge collection of additional settings, with a dedicated Sequencer page joined by three Modulation tabs and an Effects section. Utilising the company’s renowned modelling technology, the instrument not only offers an authentic emulation of Roland’s legendary TB-303 bass synth, but also greatly enhances it with a range of new and interesting features.Īiming to provide even deeper and more aggressive sounds than the original, Acid V has been kitted out with a -2 octave range sub-oscillator, as well as a vibrato function that extends from a slow de-tune up to audio rates. Arturia have announced the release of their latest software instrument, Acid V.
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